Linda Nochlin, Realism, Style and Civilization (Penguin, 1971), pp. cat. 49; 163. 15, 183, 204 (ill.). Russell Ash, ed., Impressionists Seasons (Pavilion, 1995), pp. They are dressed in the height of contemporary Parisian fashion. Robert Rosenblum and H. W. Janson, 19th-Century Art (Abrams, 1984), pp. 62, pl. 24; 67; 79. The painting does not present a convivial mood. 3 (Metropolitan Museum of Art, New York/Princeton University Press, 2009), pp. (Runion des Muses Nationaux, 1994), p. 96. Updates? Max Wykes-Joyce, Maecenas at Work: Gustave Caillebotte, Art Review 18, 11 (June 11, 1966), p. 269. 9, 58 (ill.). 10, 1877, p. 2. And routes with connections may be . cat. (Muse dOrsay/Skira Flammarion, 2012), pp. (National Gallery of Art, Washington, D.C./Kimbell Art Museum, 2015), pp. 95 (ill.), 278. 1973), p. 11. 536, fig. 8 (ill.); 25, no. Caillebotte has certainly captured a snapshot view of a district in Paris, and now, over a century later, we bear witness to a time of change, expansion, reorder, and quite simply: just another rainy day in the City of Light. 6.76; 997. Linear perspective Texture gradient Relative size This question hasn't been solved yet Thomas Grimm [Pierre Vron], Les impressionnistes, Le petit journal, Apr. Summer Gallery Talks, Calendar of the Art Institute of Chicago 65, 3 (MayAug. Art Institute of Chicago, The Art Institute of Chicago: The Essential Guide, selected by James N. Wood and Teri J. Edelstein, entries written and compiled by Sally Ruth May (Art Institute of Chicago, 1993), p. 154 (ill.). 7; 28; 34; 36; 46; 50. Mary Morton and George T. M. Shackelford, Gustave Caillebotte: The Painters Eye, with essays by Michael Marrinan, Alexandra K. Wettlaufer, Elizabeth Benjamin, Stphane Gugan, and Sarah Kennel, exh. Paul Sbillot, Exposition des impressionnistes, Le bien public, Apr. Roger Ballu, Lexposition des peintres impressionnistes, Les beaux-arts illustrs, Apr. Kirk Varnedoe, Odd Man In: A Brief Historiography of Caillebottes Changing Roles in the History of Art, in Anne Distel, Douglas Druick, Gloria Groom, and Rodolphe Rapetti, with Julia Sagraves and an essay by Kirk Varnedoe, Gustave Caillebotte: Urban Impressionist, exh. The artist (died 1894); by descent to Martial Caillebotte (brother) and Marie Minoret (Martials wife), Paris, 1894 [this and the two following per Portland Art Museum, Paintings from the Collection of Walter P. Chrysler, Jr., exh.
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